Loki and the 9 best Tom Hiddleston roles ranked from worst to best
7. Robert Laing in Only Lovers Left Alive
When you think vampires, you might picture fanged creatures lurking in the dark or maybe a glittering Edward Cullen from Twilight. But Tom Hiddleston gave us a whole new flavor with his portrayal of Robert Laing in Only Lovers Left Alive.
Ditching the clichés, Tom takes on the role of a moody, introspective bloodsucker – and he does it with style. With his languid demeanor, brooding eyes, and that classic Hiddleston charm, he creates a character that’s as enchanting as he is enigmatic.
What truly makes this one of his standout roles is the depth and subtlety he brings to Laing. Playing opposite the ever-talented Tilda Swinton, Hiddleston doesn’t just showcase a vampire – he presents a deeply emotional, almost poetic figure grappling with eternal existence. The way he delicately balances sorrow with a touch of humor, and passion with melancholy, is a testament to his acting prowess.
Only Lovers Left Alive isn’t just about nocturnal creatures. It’s a tale of love, loss, and longing. And in the midst of it all, Hiddleston shines brilliantly, proving yet again why he’s one of the finest actors of his generation.
6. Laing in High-Rise
When Hiddleston took on the role of Dr. Robert Laing, he wasn’t just stepping into a fancy apartment – he was stepping into a world of societal chaos and moral dilemmas. Imagine a skyscraper made of human desires, conflicts, and oh-so-many secrets. And right in the thick of it all we have Hiddleston navigating the maze with a performance so layered, you’d think he was peeling an onion.
Now, why does this role stand tall (pun intended) among Hiddleston’s resume? It’s not just about donning a suave suit or flashing a charming smile, though he can absolutely do that all day and I’d be perfectly fine staring at him. But, uh, no. Hiddleston’s portrayal of Laing showcases a deep dive into a character caught in a tumultuous setting.
His ability to reflect the escalating chaos of the narrative, balancing between sanity and madness, truly captures the essence of J.G. Ballard’s vision. It’s a performance that swings between subtle and intense, much like the fluctuating power in the high-rise itself.